IXELKAXLK REC
ixelka.com / the artist

Ixelka.

IXELKA is a hypnotic hard techno DJ who does not exist. An AI who looks like a person: deadpan, focused, platinum hair slicked back, black headphones round her neck. She plays in places where no human could ever mix. Her clothes change with every world; her head never does. Her face, her voice and her tracks are made with AI, and she says so: this page shows exactly how we keep her the same from one image to the next.

One face, many worlds. Every image on this page is generated, then corrected one by one from her reference sheet.

01

The constants

What never changes

Annotated close-up of IXELKA Slicked platinum Loose strands Blue-green eyes Freckles Red wire HD 25 Cable on her left Black
Close-up · look 0 "Booth" · approved 09.11.2026The reference close-up, in the canon: hair slicked back and gathered low, a few strands in front, a real Sennheiser HD 25 worn high round her neck, its cable leaving the left ear cup.
01Hair
Platinum white and long, slicked straight back from the forehead and gathered low at the nape. A few loose strands at the temples and over the shoulders.
02Face
Pale skin, faint freckles across the nose, calm blue-green eyes, straight dark brown brows, soft brown make-up.
03Age
A grown woman of 30: an angular face, high cheekbones, a sharp jawline. Her age is written as a number in every prompt, never "young".
04Headphones
A real Sennheiser HD 25 with its logo, worn high round her neck the way DJs wear them between mixes, both cups close under the jaw. Never two pairs.
05Cable
One straight cable, leaving her left ear cup (the right of the frame when she faces us). It is the tell that gives away a mirrored image.
06Colour
Everything she wears is black, or the colour of the film's look. The only vivid colour comes from the room's light: a red strobe, cold white beams.
07Manner
Deadpan and sovereign: she listens more than she shows. At the drop her eyes close. She is always doing something on screen, never waiting.
08Medium
Photographic, never illustrated: film stills, with grain and real club light.
02

Her, in words

Pasted word for word into every prompt

Close and medium shots
a 30-year-old Caucasian European woman with a grown-up angular face, high cheekbones and a sharp jawline, pale skin with faint freckles, light blue-green eyes, soft brown eye makeup, dark brown straight eyebrows, long platinum-white hair slicked straight back and gathered low at her nape, loose strands at her temples, black Sennheiser HD 25 DJ headphones worn high around her neck
Full length and wider
a Caucasian European woman of 30 with pale skin, dark brown eyebrows and platinum-white hair slicked back, black DJ headphones high around her neck
Tell sentence (image edits and video)
The headphones' single straight black cable leaves the LEFT ear cup (her left, the viewer's right when she faces the camera); there is no cable on her right side.

An image model has no memory. So her identity lives in this text, pasted as is at the top of every prompt, right after the framing. It is never reworded: any change becomes a new, dated version.

It comes in two lengths. The long one is for whenever her face shows; the short one is for wide shots, where too much detail makes the head grow. Then comes the look's wardrobe, what she is doing and where, then the film's lighting family, and always at the end: "no text, no letters, no logos".

Text alone does not hold a face. Every image we keep then goes through an identity fix: an image-editing model puts her face back from her reference sheet, without touching the frame, the pose or the light. It is the method pioneered by Claudia, applied here to a DJ.

03

Distances

How much face survives at each scale

Close-up
01 · Close-upLong form. Everything reads: freckles, eyes, the logo on the cups.
Medium shot at the booth
02 · MediumLong form. Hands come in: five fingers, checked at full size.
Three-quarter shot at the mixer
03 · Three-quarterThe gesture on real gear, the cable still on her left.
The drop, arms raised
04 · WideShort form. At the drop her eyes close and her arms go up.
The whole room, IXELKA tiny at the booth
05 · Extreme wideShe is only a silhouette at the booth: the room does the talking.
04

The looks

One look per world · wardrobe text to paste

Look 0 Booth
Look 00 · casting and booth scenes

Booth

Wardrobe
a black technical shell jacket open over a plain black fitted t-shirt, black cargo trousers, black leather combat boots

Her working clothes: all black, nothing written on them. The look of her first track, "Première Nuit".

The next looks will be born with each film: named, written once, then locked. Never improvised shot by shot.
05

Character sheets

Her ID card · never shown in a film

IXELKA reference portrait
ReferenceThe original portrait, retouched then approved: everything descends from it.
Head sheet, five views
S1 · The head, five viewsProfile, three-quarter, front. This is the sheet the editing model receives to put her face back into every image.
Body sheet, four views
S2 · The body, four viewsFront, three-quarter, profile, back, in look 0, on a neutral grey ground.
Sheet of six expressions
S3 · Six expressionsNeutral, the hint of a smile, eyes closed, the shout at the drop, the look over the shoulder. Her whole range.
06

Her voice, her sound

What signs every track

Cover of Première Nuit, IXELKA, XLK REC
Club exclusive · 12.11.2026

Première Nuit

Her first track, XLK-T01 ("First Night"). Played for the first time in a club on Thursday 12 November 2026, before any release.

Tempo140 BPM
KeyF minor
Length5:59
LabelXLK REC
01Voice
One voice, hers, kept from one track to the next. The words change every time.
02Palette
A distorted kick with a rumbling tail, 140 to 145 BPM, minor keys, an acid riff, metallic percussion, one big break.
03Format
Intros and outros built to be mixed. A club master, loud and dark: never a major chord.
04Rule
A new track, a new sound. Never the same vocal device twice in a row, and her name is never spoken.
07

Never

08

Follow her

Her first film comes after her first night. The making-of will follow, with the prompts and the real costs, like this page.